I don't think I've seen an actor do more with deadpan expressions than Mara does in this movie. Her face doesn't move but, whether she's tasing a man or standing in front of a mirror watching a cigarette dangle from her mouth, we respond to her.. The setup is intriguing but the balance feels off. Goddard and Whedon overplay the winking postmodernism.. The Swedish version was sloppier and trashier, which suited the material. If that movie was more lurid, it also packed more genuine emotion.. Davi...
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